Ella Langley’s “Choosin’ Texas” has turned into a bona fide crossover moment, surging into the Billboard Hot 100’s upper tier and underscoring just how far a modern country record can travel when storytelling, vocal performance and hook appeal align.
But beneath the headline-making momentum is a subtler driver of listener impact: a chain of micro-level arrangement decisions that continually refresh the song’s flow and sharpen its emotional peaks. Hit Songs Deconstructed refers to these tactics as S.I.A.s (Section Impact Accentuators), and in “Choosin’ Texas,” they function like precision edits, using strategic subtraction and addition to spotlight key moments without resorting to blunt, predictable dynamics.
The Song’s Impact Map: Six S.I.A. Moves, Placed With Intent
The section-flow diagram below shows six S.I.A. moments distributed across verses, choruses and the bridge.
- S.I.A. #1 (Subtraction): Accompaniment pull in the last bar of Verse 1 (A1)
- S.I.A. #2 (Subtraction): Accompaniment pull in the last two bars of Chorus 1 (B1)
- S.I.A. #3 (Addition): Subtle drum fill in the last bar of Verse 2 (A2)
- S.I.A. #4 (Addition): Pronounced drum fill in the last bar of Chorus 2 (B2)
- S.I.A. #5 (Subtraction): Multi-stage breakdown in the last three bars of the Bridge (C)
- S.I.A. #6 (Subtraction/Addition): Multi-stage breakdown and build in the last three bars of the Bridge (C), leading into Final Chorus (B3)
The track rarely lets a section resolve without an accent.
Why It Works:
From brief accompaniment pullbacks to multi-stage breakdowns and builds, “Choosin’ Texas” uses these six SIAs to keep the listener engaged at the exact moments where familiarity can turn into predictability.
Subscribers can access the full “Choosin’ Texas” technique analysis by clicking here.
Join the Hit Songs Deconstructed Community
Save 15% with code "CREATE".
Sign up to receive our free newsletter, the HSD Wire!
What Industry Executives Are Saying About Hit Songs Deconstructed
"ASCAP aims to provide members with a multifaceted toolchest to augment their craft and their careers. Hit Songs Deconstructed is a cutting-edge service that can support our members' creative process with in-depth data and analysis of current songwriting techniques."
Nick Lehman
Chief Strategy & Digital Officer, ASCAP
"I find the site VERY valuable. I’m a fan."
Eric Hurt
VP, A&R Publishing / Nashville at EMPIRE
"Hit Songs Deconstructed reveals so much detail about things you might never have noticed before in hit songs, but are right in front of you. They go beyond identifying what works and explain WHY it works."
Jem Aswad
Executive Editor, Music at Variety
What Songwriters & Producers Are Saying About Hit Songs Deconstructed
"I can't stress enough how important HSD is to any serious professional hit songwriter."
Hilton Wright II
Record Producer/Songwriter, Billboard #1 RIAA Platinum & Gold winning songwriter & producer, (Drake, Mike Posner, black•𝘪𝘴𝘩)
"As a songwriter, an important part of my job is to analyze what works in successful songs. By identifying the tools that were employed in hits, writers can incorporate them into their own songs--using techniques that have proven successful--while putting their own spin and unique creative angle on them. HSD does the research for me."
Jason Blume
Songwriter w/50 million album sales
"Even though I’ve been writing professionally for over ten years, I’ve found several nuggets of gold that have improved my writing already."
Roy Stride
Hit Songwriter, Producer, Artist, One Direction, 5 Seconds of Summer, Scouting for Girls
"Spot on with the analysis and relevant to any composer, songwriter, or producer in the game now.”
Dr. O
Producer, Young M.A., Chris Brown, Lil Wayne
"I was blown away by the Max Martin Hits masterclass. So thorough and insightful - a great blend of theory and art."
Amy Sky
Recording Artist, Songwriter, Producer, 3x SOCAN-winning singer-songwriter
"I’m going on 40 years of working with top-level artists and you have made me understand even better all the things I’ve learned over the years working with them.
Thanks much for all you do."
Khaliq Glover
Grammy Award Winning Recording Engineer (We Are the World, Justin Timberlake, Christina Aguilera),
What Leading Popular Music Programs Are Saying About Hit Songs Deconstructed
“I have been giving hit record analysis exercises to my students for years, but the level of depth in a single Hit Songs Deconstructed report is a full semester’s worth of information. My entire thought process as a producer, an engineer, a musician, and a songwriter are fleshed out in the pages of the HSD reports. It is such a great tool that I’m integrating it into the songwriting and music production curriculums.”
"Prince" Charles Alexander
Grammy Award winning producer, audio engineer, recording artist and professor, Music Production and Engineering, Berklee College of Music
"The depth, detail and level of care that Hit Songs Deconstructed exercises in their song analysis is something I want my students to aspire to. I am using their analysis techniques as a benchmark for them to apply when analyzing songs, their compositional analytics to keep them in tune with what’s happening now, and the quarterly trend reports to keep them up to speed with who the key industry players are. Additionally, it’s a huge time-saver when it comes to prepping for classes. I can pick any compositional variable in the database based on what I’m going to be discussing in a lecture and easily find examples of current hits."
Chris Sampson
Founding Director, Popular Music Program, USC Thornton School of Music
"Hit Songs Deconstructed is a great teaching tool and an extremely valuable resource for my songwriting students. We’ve made it an integral part of the songwriting curriculum at MTSU and I’m thrilled to say that Middle Tennessee State University is at the forefront of songwriting education as a result of this partnership."